| Like many artists who use cultural and ethnic | | | | to inspire others interested in modern |
| heritage as an inspiration for their art, | | | | African American art at Fisk University. His |
| modern African American art often has strong | | | | influence can be felt in the art world even |
| roots in Africa. For many African American | | | | now, 27 years after his death. |
| artists, the Southern region of the U.S. also | | | | |
| represents a huge emphasis on the composition | | | | One female African American artist who |
| and subject of their work. There is a | | | | strongly affected the modern African American |
| growing awareness of this unique form of | | | | art scene is Clementine Hunter. She didn't |
| expression and of the artists who create the | | | | begin painting until after the age of 40. |
| works. For many years African American art | | | | Her work is simple and two dimensional, |
| has been tagged as crafts and seriously under | | | | depicting Southern life through her eyes. |
| appreciated. Fortunately that trend is | | | | Many consider her to be one of the most |
| changing and people from all ethnic | | | | important artists to come from the South. |
| backgrounds and lifestyles have more | | | | Her African American painting was first |
| opportunities to view and learn from modern | | | | recognized in the 1950's and continues to |
| African American art. In order to more fully | | | | inspire. |
| appreciate these artists, it is important to | | | | |
| take a look at some of the African American | | | | Regardless of the media and subject chosen, |
| artists who paved the way. | | | | modern African American art is finally |
| | | | receiving the attention and acclaim it |
| Henry O. Tanner (1859-1937) is best known for | | | | deserves. Thanks to the many exceptional |
| his painting "The Banjo Lesson." Initially | | | | artists who gave the world a picture of the |
| his work reflected the black experience and | | | | little talked about culture from which they |
| his impressions of that life. Later in life | | | | came, young up and coming African American |
| he added more to modern African American art | | | | artists have an easier road to follow to |
| with his works of religious influence. Mr. | | | | receive the recognition they deserve. Great |
| Tanner made several trips to the Holy Land to | | | | things can come from the lessons of these |
| find inspiration for his art. | | | | past artists. |
| | | | |
| As can be expected, the American era of | | | | Mr. Moyo Ogundipe has a Bachelors of Arts |
| slavery often plays a large part in modern | | | | degree in Fine Art from the University of |
| African American art. This is certainly true | | | | Ife, Ile-Ife, Nigeria and a Master of Fine |
| of Claude Clark's work. A Georgia native, he | | | | Art degree in Painting from The Hoffberger |
| has styled his work with strong Southern and | | | | School of Painting, Maryland Institute |
| African themes. His style is direct and the | | | | College of Art, Baltimore, USA. |
| intention of his work is clear. One of his | | | | |
| most well known paintings "Slave Lynching" is | | | | One of Africa's most celebrated and renowned |
| an obvious commentary of the social climate | | | | contemporary African American artist, Mr. |
| of the slavery era. | | | | Ogundipe has exhibited extensively in Africa, |
| | | | Europe and the USA. His paintings have been |
| There is unlikely to be an art lover who has | | | | described as hypnotic, colorful and densely |
| never heard of the Harlem Renaissance. Aaron | | | | patterned. |
| Douglas did some of his finest work in that | | | | |
| period. The murals of the Harlem Renaissance | | | | In 1996, Mr. Ogundipe was awarded the |
| are popular and some of Douglas's work can be | | | | Pollock-Krasner Fellowship. And in 2005 he |
| seen in libraries and public buildings in | | | | was invited to become a member of Africobra, |
| this form. His favorite inspirations were | | | | an organization founded in the 1960s and |
| important people and significant events in | | | | whose membership comprises of distinguished |
| the African American history. Aaron Douglas | | | | African-American artists. |
| went on after painting his magnificent murals | | | | |