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Jazz Shrinks Complex World - Jazz History

When I've had a belly full of theman became in time a little lighter, and the
complexities of current events I find a jazzwhite man often a little darker.The French
band in some out of the way place and retreatand the Spanish, the African tribesmen often
for awhile into melody with a big beat.Forwith royal chief's blood under their heavy
those of you who are turned on by horns, Imuscles - and even the Indian peering in -
recommend a small watering place in Clevelandthe long boats from Kentucky, and the Yankee
called the Lake Shore Club.There, Ted Wittmountain men in buckskin fringes - in for a
and his Forest City Jazz Band hold forth onbig bust and swallowing of untaxed whiskey -
Saturday nights with the best music this sideall wanted music, and helped make it, said
of New Orleans.Located through the courtyardLongstreet.New Orleans mixed it all up, and
of an old motel, it is not the kind of jointchurned it around, and made it a part of a
you would wander into cold turkey. But, takenew nation - that was part of a New World
my word, the surroundings are pleasant, thewhere anything could happen.Today we call it
drinks unadulterated, the prices average, thehistory. But then it was simple people, wild
food good and the clientele well dressedpeople, pioneers and men on their way up in a
without ostentation.I was introduced to jazzhurry. All sang a lot and stomped around to
while stationed at the U.S. Naval base in Keymusic.Whether it was in the Congo jungle of
West during World War II. The bestAfrica or in the tromped-down grass of Congo
honky-tonk in town had a small jazz combo ofSquare in New Orleans, it was rhythm that
venerable black players, but the soul jerkingstarted it all.Music and dancing, said the
notes poured out on those Sunday afternoonswhite slave masters, made the Negroes too
after church when the "colored folks" (theirtired to work hard, so the wild people from
term) conducted a funeral.No matter what dayAfrica just clapped their hands at first.Then
of the week a black person might happen tothey made a drum on the sly and brought it
meet his Maker, the funeral was held onout - when the Master was off somewhere else
Sunday. Then the fishermen would be home, nosubduing the passions of his own wild country
one would lose wages, and the mood of- to remind them of their native jungles.An
religious contemplation would beold horn was snitched from some white man's
deepest.After regular morning services,junk heap, or maybe a rusty old banjo was
lengthened by a substantial eulogy to thegiven by a keel boatman from Ohio who didn't
deceased, the march to the grave yard began.give a damn about plantations and cotton
The coffin rode in one mule-drawn wagon andanyway.At last the Negro had become part of
an assembly of horn players in another. Themusical America. He was ready to add a sense
mourners marched behind in swallow-tailof freedom and lusty beat that created a new
suits, high hats and formal dresses.Themusical art form peculiar to the United
parade to the cemetery was somber andStates.In time, jazz evolved through a
featured plaintive hymns such as "Just Avariety of forms - spirituals, marches, cake
Closer Walk With Thee," "Old Rugged Cross,"walks, ragtime, blues and swing. But the
"Amazing Grace," and "Will the Circle Bebasic foundation was always twelve 4-4 bars
Unbroken." Now, 30 years later, these tunesof singable notes.Louis "Satchmo" Armstrong
nearly break me up as bittersweet memorieswas the last of the Golden Generation of jazz
flood back.The return from the cemetery,musicians. Today we rely on the artistry of
however, was jubilant as the marchersPete Fountain, Turk Murphy, Al Hirt and Ted
asserted their faith that their departedWitt to carry on the glorious tradition of
companion was well on his way to a justauthentic jazz.Ted Witt is great on the
reward in heaven. Of course there was "Whenlicorice stick and still belts out a few
The Saints Come Marching In," "Washed In Thenumbers on the "fish horn" soprano sax made
Blood of Jesus," and "Down By The Riverside."famous by Sidney Bechet. Ted's other front
But there was also a lot of high stepping tomen, Emmett Wiley on the slip horn and Dick
"Georgia Cakewalk," "High Society" andPetscher on trumpet, are ably supported by
"Muskrat Ramble."It was a meaningful blend ofJohn Bittance on bass, Bert Smith at the
sorrow, reverence, and Christian faith in apiano, Al Gutheim on the skins, and Bill
better life here after.Since those days - nowMorehead on banjo.Somehow, when those guys
gone I am told by travelers to thecut loose, such things as the economy,
southern-most Florida Key - I have pursuedWatergate, and Mideast wars don't seem all
the blue and golden notes in New Orleans,that  important.September  18,  1974
Nashville, St. Louis, Memphis, and Chicago.
For there, in the Mississippi Valley, is the.Click here to see this article on Lindsey
true home of American jazz.Strangely however,Williams's website.Lindsey Williams is a Sun
I have found the most creative practitionerscolumnist who can be contacted at: or
of this unique American music in Key West,Website: with over a thousand of Lin's
Cleveland, New York, and San Francisco. OneEditorial & At Large articles written over 40
of the characteristics that has made jazzyears.Also featured in its entirety is Lin's
great is its ability to be exported, and togroundbreaking book "Boldly Onward," that
be assimilated by diverse culturalcritically analyzes and develops theories
communities.Where did it all start?Stephenabout the original Spanish explorers of
Longstreet, the jazz historian, says it isAmerica.
best to begin in New Orleans, where the black



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