Jazz Shrinks Complex World - Jazz History

When I've had a belly full of the complexities ofit is best to begin in New Orleans, where the black
current events I find a jazz band in some out ofman became in time a little lighter, and the white
the way place and retreat for awhile into melodyman often a little darker.The French and the
with a big beat.For those of you who are turnedSpanish, the African tribesmen often with royal
on by horns, I recommend a small watering placechief's blood under their heavy muscles - and
in Cleveland called the Lake Shore Club.There, Tedeven the Indian peering in - the long boats from
Witt and his Forest City Jazz Band hold forth onKentucky, and the Yankee mountain men in
Saturday nights with the best music this side ofbuckskin fringes - in for a big bust and swallowing
New Orleans.Located through the courtyard of anof untaxed whiskey - all wanted music, and helped
old motel, it is not the kind of joint you wouldmake it, said Longstreet.New Orleans mixed it all
wander into cold turkey. But, take my word, theup, and churned it around, and made it a part of a
surroundings are pleasant, the drinksnew nation - that was part of a New World
unadulterated, the prices average, the food goodwhere anything could happen.Today we call it
and the clientele well dressed without ostentation.Ihistory. But then it was simple people, wild people,
was introduced to jazz while stationed at the U.S.pioneers and men on their way up in a hurry. All
Naval base in Key West during World War II. Thesang a lot and stomped around to music.Whether
best honky-tonk in town had a small jazz comboit was in the Congo jungle of Africa or in the
of venerable black players, but the soul jerkingtromped-down grass of Congo Square in New
notes poured out on those Sunday afternoonsOrleans, it was rhythm that started it all.Music and
after church when the "colored folks" (their term)dancing, said the white slave masters, made the
conducted a funeral.No matter what day of theNegroes too tired to work hard, so the wild
week a black person might happen to meet hispeople from Africa just clapped their hands at
Maker, the funeral was held on Sunday. Then thefirst.Then they made a drum on the sly and
fishermen would be home, no one would losebrought it out - when the Master was off
wages, and the mood of religious contemplationsomewhere else subduing the passions of his own
would be deepest.After regular morning services,wild country - to remind them of their native
lengthened by a substantial eulogy to thejungles.An old horn was snitched from some
deceased, the march to the grave yard began.white man's junk heap, or maybe a rusty old
The coffin rode in one mule-drawn wagon and anbanjo was given by a keel boatman from Ohio
assembly of horn players in another. Thewho didn't give a damn about plantations and
mourners marched behind in swallow-tail suits, highcotton anyway.At last the Negro had become
hats and formal dresses.The parade to thepart of musical America. He was ready to add a
cemetery was somber and featured plaintivesense of freedom and lusty beat that created a
hymns such as "Just A Closer Walk With Thee,"new musical art form peculiar to the United
"Old Rugged Cross," "Amazing Grace," and "WillStates.In time, jazz evolved through a variety of
the Circle Be Unbroken." Now, 30 years later,forms - spirituals, marches, cake walks, ragtime,
these tunes nearly break me up as bittersweetblues and swing. But the basic foundation was
memories flood back.The return from thealways twelve 4-4 bars of singable notes.Louis
cemetery, however, was jubilant as the marchers"Satchmo" Armstrong was the last of the Golden
asserted their faith that their departed companionGeneration of jazz musicians. Today we rely on
was well on his way to a just reward in heaven.the artistry of Pete Fountain, Turk Murphy, Al Hirt
Of course there was "When The Saints Comeand Ted Witt to carry on the glorious tradition of
Marching In," "Washed In The Blood of Jesus," andauthentic jazz.Ted Witt is great on the licorice
"Down By The Riverside." But there was also astick and still belts out a few numbers on the "fish
lot of high stepping to "Georgia Cakewalk," "Highhorn" soprano sax made famous by Sidney
Society" and "Muskrat Ramble."It was aBechet. Ted's other front men, Emmett Wiley on
meaningful blend of sorrow, reverence, andthe slip horn and Dick Petscher on trumpet, are
Christian faith in a better life here after.Sinceably supported by John Bittance on bass, Bert
those days - now gone I am told by travelers toSmith at the piano, Al Gutheim on the skins, and
the southern-most Florida Key - I have pursuedBill Morehead on banjo.Somehow, when those
the blue and golden notes in New Orleans,guys cut loose, such things as the economy,
Nashville, St. Louis, Memphis, and Chicago. ForWatergate, and Mideast wars don't seem all that
there, in the Mississippi Valley, is the true home ofimportant.September 18, 1974
American jazz.Strangely however, I have found.Click here to see this article on Lindsey Williams's
the most creative practitioners of this uniquewebsite.Lindsey Williams is a Sun columnist who
American music in Key West, Cleveland, Newcan be contacted at: or Website: with over a
York, and San Francisco. One of thethousand of Lin's Editorial & At Large articles
characteristics that has made jazz great is itswritten over 40 years.Also featured in its entirety
ability to be exported, and to be assimilated byis Lin's groundbreaking book "Boldly Onward," that
diverse cultural communities.Where did it allcritically analyzes and develops theories about the
start?Stephen Longstreet, the jazz historian, saysoriginal Spanish explorers of America.