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Old Russian Symbolics on a White and Blue Porcelain

Russian porcelain is widely known and isdecorating tableware with octagons (ancient
often  used  as  a  traditional  gift.Slavs recognized eight parts of the world)
and calendar symbols (the twelve months).The
The art of decorative painting on porcelainthree-leaf clover symbolized a part of the
is handed down by craftsmen from generationtree of life, procreation, and the connection
to generation. Few of us, however, have askedbetween the ancestors and future generations.
ourselves what exactly is depicted on a GzhelThe symbol of the tree of life is very
teapot  or  a  Lomonosov  porcelain  cup.ancient and exists in the folklore of many
peoples. D. Melchizedek wrote that this
The blue color, glazed cobalt, has a longsymbol includes all the formulas of the
history.Majolica made in Gzhel, 60 kilometerscreation of the world - every single one of
from Moscow, has traditionally been decoratedthem.Let us, however, return to the later
with glazed cobalt.Archeological excavationshistorical period.During the Middle Ages,
prove that the craft of pottery has existedcobalt glazed decoration enjoyed especial
in Gzhel since the beginning of the 14thpopularity.Gzhel craftsmen like to say that
century.It is possible White and Bluethere is no blue like the blue of their sky
undergalzed cobalt painting tehnologyin Russia.So, the idea came to them to
appeared at Gzhel due to invasion of Mongols.transfer  this  blue  onto  white  porcelain.
Blue and White China was well known product
of Chinisean Yuan and Ming dynasties andThe design is transferred to unfired
Mongols could deliver examples of that chinamajolica or porcelain. After it is fired at a
to Russia at 13-14th centuries.In the secondvery high temperature, the paint acquires its
half of the 17th century, Afanasyfamous deep blue color and becomes glazed
Grebenshchikov, a merchant, built aover by the process. The design is very
manufacture where he made various kinds ofdurable. The colors and the glaze shimmer. It
majolica earthenware. For his ware, he usedlooks delicate and esthetically pleasing on
the famous white clay (Gzhel), as well as thewhite porcelain and porcelain with gold, and
experience of potters from Gzhel. Upongives a delicate and elite character to the
returning to their homes, the craftsmen begantableware.In the beginning of the 18th
establishing their own majolicacentury, porcelain was especially popular in
manufactures.Traditionally, Gzhel porcelainthe Russian Empire. It was valued more highly
has been decorated using flower motifs, thethan gold. The French Imperial Plant was one
Gzhel Rose, for example, and fabulousof the main manufacturers of porcelain
creatures  such  as  the  Firebird.tableware. Porcelain items were manufactured
for the court of the Bourbons, and blue was
Gzhel porcelain often features octagonalthe traditional color for decoration, since
shapes, shapes with eight radial points,it was the color of the coat of arms of the
shapes with twelve or six radial points, asBourbons.Soon, Russia acquired this tradition
well as a three-leaf clover.What do these- porcelain of that time was often decorated
symbols represent?The Firebird is a pagan,with blue and gold. Initially, this tradition
pre-Christian god of the ancient Slavs, thewas not as widespread, and the 'ancestor' of
embodiment of the god of storms. In Slavicthe modern, world-famous cobalt mesh of the
tales, this is a fairy bird that flies fromLomonosov Plant, the set that belonged to the
another kingdom (a faraway land).The FirebirdEmpress Elizabeth, known for her passion for
is a very ancient pagan god that has survivedporcelain, was pink. (Cups of this design are
only in traditional Russian folk tales.Thestill being manufactured and are called pink
symbol of the Sumerian goddess Inannamesh).
(Ishtar) denotes 'clear sky', which was ruled
by Zeus. The late Scythians traced theirGlazed cobalt, however, has become
origins back to Zeus. His third wife, Hera,characteristic of Russian porcelain, due to
was a co-ruler of the sky. Her symbol was athe technology of its manufacture - the
duck ('sunny' in Sumerian), a golden bird orhigher firing technology than that of the
Zhar bird (Russian name of the Firebird,French porcelain.Later, under the the
deriving from the Scythian zar, gold).It isinfluence of Empire, the style that Catherine
assumed that the Firebird of the ancientthe Great was especially fond of, many
Slavs came from the Zhar bird (Golden Bird)buildings in St. Petersburg and Moscow were
of the Scythians.Flowers were the symbol ofdecorated in blue and gold. Glazed cobalt
the sun among the ancient Slavs. Flowers weredecoration of porcelain items augmented by
braided into the hair of girls duringgold over glaze was especially popular at
celebrations of the ancient festivalthat  time.
dedicated to the god the Sun.The bud of a
flower symbolizes a possibility.A flower inThese traditions may also be noted in the
full bloom represents development andworld - famous cobalt mesh, blue, flower
fruition.The ancient Slavs often used ceramicmotifs of glazed cobalt - an Empire - style
jars for religious purposes, as well astree of life, and gold over glaze that
calendars. This gave rise to the tradition ofsymbolizes the ancient Firebird.



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